Study of Two Figures (Orpheus / Eurydice)
was it that / that glance / backward
downward / so evidently / an afterthought
the body / enacting / its relentless
was it that / that glance / backward
downward / so evidently / an afterthought
the body / enacting / its relentless
For instance, this lushly verdant plain. Imagine it dialed back to featurelessness, each spiraling stalk retracted, each filigree rosette slow-blinking shut.
as if you were ever wide-eyed enough to believe in urban legends
as if these plot elements weren’t the stalest of clichés: the secret lab, the
anaerobic chamber, the gloved hand ex machina, the chemical-
infused fog
couldn’t stop / himself picking
his red / lest it
pinken lest / it pale
how can I
ask you to
absolve me
To spectate
is a verb
that does not
1.
hyperarticulated giant black ants endlessly boiling out of a heaped-up hole
in the sand
A gauze bandage wraps the land
and is unwound, stained orange with sulfites.
crown of infrared
song of drifting dune
The smooth-boled trees of his interior
Monica Youn reads a poem by Lorca about New York amid a disaster.
On “Goldacre,” a poem in our new Summer issue.I wrote “Goldacre”—my “Twinkie” poem—in the wake of the brouhaha surrounding last year’s Best American Poetry anthology, when the white writer Michael Derrick Hudson published a poem under the name Yi-Fen…